ABOUT

Teater Vølven aims to rebel against patriarchal repression and to make the audience experience liberation through their work

The independent theatre company Teater Vølven was formed in 2018 as a Nordic collaboration between one Danish and two Swedish actors, located in Copenhagen, Denmark. The aim of the company is to work artistically with issues of feminist interest, and to question and shaken the patriarchal structures of modern society. 

All members of the company have been educated in physical theatre (mask play, storytelling, clown, buffoon, commedia dell’arte, corporal mime, devising etc.) at the international physical theatre school The Commedia School. Apart from this training, the actors of Teater Vølven have experience in various areas such as drama pedagogy, hospital clowning and visual arts.

The company believes that less is more, and aims to create meaningful imagery without the use of much scenography and props. This approach allows the company to travel easily and adapt their plays to a variety of smaller and bigger venues around the globe.

actors and Founding Members

Anna Dagnydotter

Anna Dagnydotter (b. 1983) is a Swedish clown and theatre artist, living and working in Denmark since 2013. She is educated from The Commedia School’s (Copenhagen, Denmark) programme Mime and the Art of Comedy (2013-2015) and from The Danish Hospital Clown Education (2015-2017).

She has a background in cultural management with a bachelor from Stockholm University in cultural studies, with the main focus in performance studies. Besides that she is also educated in drama pedagogy and has worked with both children and adults. She has experience in working as a drama and cultural pedagog, in different museums and with her own projects.

She is currently working as a hospital clown for Danske Hospitalsklovne and is also a part of the artistic network Clowns without borders, Sweden. In her work as a clown her main focus is to work with humour, play, honesty and presence as tools to release tension and pain. In theatre, she often works around the subject of social change and liberation of mind and body.

Miriam Röstlinger Goldkuhl

Miriam Röstlinger Goldkuhl (b. 1988) is a Swedish actor and artist with a background in acting, theatre pedagogy, physical theatre, mime, clown and visual art. Miriam holds a BFA in Conceptual Performing Arts from Malmö Theatre Academy, Lunds University (2020). She works with mixed media and cross-artforms, theatre performances, participatory performing arts, sensory performance and installations.

Miriam holds a diploma from The Commedia School’s (Copenhagen, Denmark) programme Mime and the Art of Comedy (2013-2015). She is also educated Theatre pedagog from Marieborgs Folkhögskola in Norrköping, Sweden (2009-2011). She has a broad experience in acting and theatre, and she has worked with children's theatre, in ensemble theatre and smaller devising projects. She has worked as a pedagog with drama and theatre in schools, evening classes and in museums, with both children and adults. She also has a broad experience of working with feminism and social change, both in the artistic field and through activism.

www.miriamrostgold.com

Josefine Skovgaard

Josefine Skovgaard (b. 1989) is a Danish actor, clown and visual artist. She holds a diploma from The Commedia School’s (Copenhagen, Denmark), programme Mime and the Art of Comedy (2013-2015). Before entering The Commedia School, she worked with street performing and clowning in Argentina and Uruguay, and after her graduation she has worked independently with theatre, clowning and visual arts in different constellations. In 2016 she staged her first one-woman play and since 2018 she has formed part of the clown group Klimax Klovn as well as Teater Vølven. She has participated in a variety of smaller devising projects, festivals and other gigs presenting her work.

In her approach to the arts she benefits from her experience in the field of academics and she has worked with feminist theory throughout her studies at both Roskilde University and University of Copenhagen. She has studied visual arts at Universidad de Los Andes in Colombia. In her approach to theatre she works from the starting point of the clown, wondering about the nature of human beings, seeing unusual connections, thus creating a non-moralizing, though wondrous, view on the world.

Board Members

Karina Dahl

Ruth Lerche Christensen

Michelle Sarah T. Heedal

VISION AND MISSON

The works of Teater Vølven are rooted in feminist theory, physical theatre, clowning, buffoon and serious investigation of the themes they are working with. They create socially relevant and rebellious theater performances which gives the audience an opportunity to gain new insights about themselves and others, and to question established and – most likely – outdated norms and codes of social conduct. They perceive the structure of modern society as patriarchal, and feminism as the ideological tool with which they can fight for equality for all different genders.

When creating new material, the company benefits from the gathered pool of experience within the group, as well as improvisation and other techniques, which enables a fresh and sparkly approach to the making of socially relevant, humorous, as well as thoughtful, high-quality artwork. 

THe MEANING of our name

The name Vølven stem from the Nordic word ‘vølve’ which was used to designate a female spiritual leader in the Nordic mythology and religion before the appearance of Christianity.

A ‘vølve’ would perform shamanistic rituals and magic, were well-respected and had a high status in the Old Norse society. With the change to Christian beliefs their practices were criminalized and they were banished from society as witches.

‘Vølven’ as a specific character appears as an oracle in one of the central texts from the Nordic mythology, where Odin, the king of the Nordic gods, seeks her advice. She narrates the story of the creation of the world, and the appearance of the first human beings. As Odin’s wish was to know the course of the future, she tells her vision of ‘Ragnarok’, the great destruction that will end the world, and the subsequent resurrection of the world after that. ‘Vølven’ is in this text more powerful and wise than even the king of gods, which reflects the general status of a ‘vølve’ in the Old Norse society. 

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Your donation will be used to cover expenses related to the realization of 'A letter to my Vulva', such as costumes, scenography and props, travel expenses and rehearsal space rent.

Any donation, big or small, will be received with warm gratitude.